(Holy Grail Records)
Important step forward that the locals have given the regression with this their third album deep into hard rock territories but without leaving your vein and heavy metalera his usual ferocity. In "Santa Decadence" follow a storyline around the story of a fictional town of the same name trying all their miseries, vices and dangers, perfectly applicable to many major cities worldwide. The aggressiveness and pasted is a constant throughout history, mostly by voice ragged and challenging hitting Pedro Guijarro hard without losing the melody when necessary, as the guitarists Pablo González Sánchez and Toni also handles keyboards, arrangements, vocals and acoustic. For his part, David Pérez bassist and drummer José Ignacio Uria do their work with sobriety in a very homogenous sound. The story shall be opened with "Mil Sirens", which as its name suggests has a lot to do with the police and their persecution of intense hard rock rhythm guitar full of hurtful and aggressive voices, which become more stretched and melodic "Territory Animal rabies talking to gangs and mafias spread over the street. Most critical and current "Diabolic Trinity" which addresses the shameful vices of the church with a curious dialogue between Pedro and guitarist Frank Wizard of Oz invited for the occasion achieving a more dark and sinister, to move to the sensuality of "Angel of Fire" dedicated to the sins of the flesh with some insinuating vocals and a melodic chorus reocrder a little Blue Blood. Continues the same subject with the powerful and heavy "Avenue Of Desire" to move to a tearing sound and rockin in "Sin Final" telling how bad it is the world of rock and the vultures take advantage of musicians. Registration radical change in "El Teatro De Los Olvidados", which as its name suggests marks a dramatic and melancholy atmosphere to address the problem of homelessness and where the keyboards come to light with a melodic and air guitars worked Savatage . Political and judicial corruption could not miss Santa Decline , and this is reflected in the heavy and somewhat flat "Dark Blood" led by the nuanced voice of Peter and a saturated but melodic guitars. For supesto drugs had to come and do the heavy rocker "More Power" that reminds me of Skid Row "Slave To The Grind ", with a rough and aggressive vocals over heavy guitars and a deep rhythm to close down the small masterpiece that is the title story and in his seven and a half minutes captures the essence of the subject. Musicalmete includes elements of hard today, with a strong base, a successful choir, good keyboards, along with a proper solo Frank reappearing, give it a more melodic, and brutal change of pace from a soft interlude to a frantic guitar playing accompanied by a piano to Guns n 'Roses. Grand Final for a good and trabajdo album, which should start to listen carefully to appreciate all its essence and depth. Mariano
Palomo
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