(Frontiers / Mastertrax)
I get the feeling that with The Poodles is happening to me a little effect gas, explosives and refreshing at first, but as time passes each time I make it more bland and less interesting. When they broke in the Scandinavian market with fantásitico debut album "Metal Will Stand Tall" managed to get my attention and became one of the names to follow in the scene hardrockera, keeping largely level with his second "Sweet Trade ", so after starting the more irregular declibe the" Clash Of The Elements " which already began to include elements dark and dense, to finally stick it in my opinion this new "Performocracy" where they have lost much of its sparkle and birllantez to route their sound a lot more gray areas unattractive. My sense is that the running of the group of guitarist Pontus Norgren made much of a dent in the group, and its sutituto Henrik Bergqvist is far from reaching the level of its predecessor, something that we have seen live more than one occasion. For his part, Samuel Jakob pintón continues the trademark of the group with his personal voice, but looks much less in a few more heavy atmospheres thick, sparsely enganchantes rhythms and instrumentation Justito that is saved by the strength of the base forming drummer Christian Lundqvist and bassist Pontus Edberg . The beginning makes me suspicious with the modern "I Want It All" with his arrangements hocedad weirdos and just tell me not to just anything. Unfortunately this happens to me many songs on the album, as with expendable "I Believe In You" heavy and rhythmic, "Love Is All" dull and monotonous, "Action!" Dull and pompous poppy Eurovision wave without level, "Into The Quiet Night "dull and introverted despite his correct voice, or" Do not Tell Me " lie still, lie still. Level up something with the compliant "Until Our Kingdom Falls" lively and recognizable rhythm, "Father To A Son" Rascon of discontinuous rate they earn much of their voice, "Cuts Like A Knife" Scandi hard today but the basic classical competent rhythm, like "Your Time Is Now." To the end that left no end to kill me more convinced me, the emotional acoustic "As Time Is Passing" a ballad correct and intense, the most classic melodic hard "Bring Back The Night" standing out in chorus and vocals on some poor guitars, which greatly improved the melodic and vibrant "Vampire's Call" to which you can spare some effects on the voice machine Jakob. Finally, it seems that unfortunately the slump fears about Poodles The Swedes are confirmed, hopefully just be a parenthesis and to recapture the spark and the degree to which we conquered. Mariano
Palomo
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