(Zinkin 'Prim Records)
long and laborious task that had to carry out the guitarist Chechu Beam with his revamped squad to build its third building rocker, but finally we have the final result. A result that at least on first impression on me trouble identifying his two earlier works, mostly by the sudden change of vocal register that new vocalist ofrecre Isaak Palon respect to the original Julio Iglesias. A current and metal voice at times brings new nuances to compositions componene this "Electrokalambrera" , which also has a handful of collaborations that complement the work of those Chechu and Isaak next to and Mariano Juarez veteran bass, and recent signings Josete Agredeño on guitar and Luis Garcés to the battery. The sense of humor has always been an ingredient of the music of Beam and this time again to be present in the intro that opens the new album, with a curious dialogue between Chechu and Mr. Isaak with Broka , mascot of the band, something like the Eddie particular worker. After giving his life to the full creature inside the torn and rough "World Of My Dreams", with voice treated aggressively and Isaak contrasting with a curious child incursion children and Chechu Bletrán , achieved on a heavy rock beat. Much heavy rock eighties essence is what we find in songs like "Evil Hero" in their heavy and saturated guitars are highlighted by a single virguero by Danny Felice (Breed 77) and a chorus chanted, in the bright and catchy " Dying For The Rock "in which the voice of Tete Novoa (Saratoga) shared the limelight alongside that of Isaak being very good, clean and powerful hymn-letter full of attitude and intention, in the optimistic direct "dawned gray" which highlights the work in the chorus of Elisabeth Vaz and along Carmina Sanchez Tete himself and Johnny Baphomet , Or the more melodic "Exit 50" adorned with a curious touch of hammond sound. More disturbing, dark shows "Corruptor of Souls" vampire-themed which highlights the work of guitars, which are heavier in the rhythm of "Pirates" even glow in the large and worked alone, and more rock'n'roll in the jumbled and fun, "The Fugitive Son" where its mark on their keyboards José Barta (Nu, Jupiter, Red Baron) within a hollow sound and less production. The memory of the most classic Beam is found in the acidic "Mr. Politician" with demagogic speech included by Carlos Almond (Zinkin 'Prim) completing a critical force on a point that highlights heavy instrumentation, which also happens in the torn and intimate soft start "Life" to be hardening and becoming aggressive in its development adorned by a great sax solo by Paco Fundi. The CD closes with the curious "Collective Memory Exercises" not very good if you speak of a hangover full of loopholes, a story of love or both, with the broken voice of Isaak with a soft guitar acoustics. Completing the work with the umpteenth version of the renowned "Sexiest" in this case participation has a couple of members of their own Coz, Juan Marquez the voices and Miguel Puppy the first guitar solo, while the second does Nacho Mur being together bright guitars and rougher in the voices, but just as brazen thug and a minimum letter change made in beam. A return quite right, well worked with interesting collaborations, and as always full of enthusiasm and energy by the fighter Chechu Aurrecoechea and beam. Mariano
Palomo
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