Friday, May 13, 2011

Black And White And Burnt Orange Bathroom

GNU "Old Hymns for New Warriors"

(Holy Grail)

costs a lot to say this to someone who considers himself a staunch Ñu , but this new album ... is disappointing. After the great taste that left "Puppets" almost eight years, I think nobody expected a job so ... strange. In advertising they say that makes the taste of the origins, and unfortunately partly true. The disk that remembers most is ... "A whip" . Let's be honest. If not out by "The Pied Piper," that would have been totally sovereign forgotten chestnut. Wildebeest jumped to the first division of hard rock by homeland "Fire" and "Rambo Por Ti" , however much the Molina renege now. If you want to re-do compositions unpalatable to the general public, let him. However hard they try, can not find where to get this "Old Hymns" . Input surprise you come only eight cuts. Start with "herding My Luck" is simply infumable, ten long minutes of boredom. "Song Without Faith" the next song, starts at a slightly more lively, but as it advances will increasingly spoiling. Following is a kind of acoustic ballad, "Today for You leave my skin", not just improving the overall impression. "The Temptation of Christopher Orsino" although lentorra, it is at least audible, which is something, to have a recognizable chorus and everything. Then goes the title track to the disc, somewhat similar to its predecessor in terms of sticking something the rest of the set, a bit more lively than others, but not much. "The Invention of Feeling" is another acoustic medium Rollet ending tired, and why only lasts four minutes. "Seraphim", the seventh cut, is telling the life of the eponymous type, which is not known whether Molina sympathize with him or put him to give birth. It is a pattern common to the whole CD, it loses a lot of integers, some letters that do not get to catch the meaning you put a lot of attention. When you're up the hat and wishing you pull Ñu least five years without any signs of life, you find the best song of all the work, "Always on Stage." Musically somewhat similar to "He played Running" is a nice statement of unconditional loyalty and rock music. I think is the only one that can be live. But this topic and some passable two are not enough to feel that many years of waiting have paid off. Sorry, Molina, you're always great, but this time you're right. Nacho
Jordan

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