(AFM / Avispa)
U.S. Led by vocalist Michael Eden this multinational training emerged strongly titled debut LP in 2007 capture the attention getting a wide range of audiences because, apart from its quality, quantity and styles that combined elements from hard melodic power metal, to progressive metal or stronger. A year later endorsed all those good feelings with "The Second Coming" but obviously losing the element of surprise for their first job, and now again in 2011 with which it may be the most complete and direct album to date, " Trinity . And that when he saw the cover freaked me out a bit, associated more with darker themes, but luckily that was it, a wrong impression and that the compositions of the disc shine and exude class on all sides, as well as versatility, quality of composition and instrumentation, and a plethora Michael Eden well supported by their fellow travelers in both its instrumental functions as a showgirl. The lyricism of the intro monastic "Trinitas Sanctus" fades in favor of the rhythmic vivacity printed good voices and arrangements for guitar and keyboard Thorsten Koehne and Alessandro Del Vecchio respectively to give shape to the original "Trinity" . Dan a twist then the hard rock and heavy "Saints Of Tomorrow" with slight symphonic touches, especially with the huge "No Holy Man" in participating as James LaBrie vocals (Dream Theater) and left notes within a composition so elaborate and brilliant as affordable enganchante-style Queensryche "Empire" . LaBrie is not the only voice that shares the limelight as a guest along with that of Eden also Andy Deris (Helloween) brings the most aggressive traits and tear to the resounding "Black Widow", less bright than the previous but equally intense recalling the sound of the band's final stage of the pumpkin. The happiest both laughed and the encotramos guitar in "Can not Fool The Devil" slightly baroque in motivating "Dare To Be Different" engaging, like the extremely melodic "Rivers Of Destiny" full of tremendous voices and guitars scraping the AOR without losing strength and hand punch of bassist Paul Logue and drummer Pete Newdeck . A denser sound and theatrical surround the slick "Jerusalem Sleeps" closer to the sound of people like Kamelot in a slower pace with the arrow protruding Del Vecchio with the broken voice Eden. The quieter tracks are the warm, acoustic and torn "Guardian Angel" who has everything to be a great ballad but is excessively prolonged, and less remarkable "Children Of The Tide" without being evil is not just hooked. As a final touch of this exciting work we have a very loyal and correct version of the classic "Rock & Roll Children" by Dio in honor of the little great vocalist who left us almost a year ago. I usually complain about the ephemeral nature of some projects that start with force to the end, after one or two good jobs just disappear without a trace, and it looked to me after three years of waiting I was going to happen the same with Eden's Curse . Fortunately this "Trinity" my fears disappear and should become one of the most competent formations and unique projects of current situation and continue to attract followers to his cause. Mariano
Palomo
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